Wassily Kandinsky (Image in yellow)

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Kandinsky, Wassily

Vasily Kandinsky (Vasily Vasilyevich Kandinsky) born December 4 (jul.) and December 16 (Greg.) 1866 in Moscow - died 13.12.1944 in Neuilly-sur Seine

"How to paint music - and to realize the inner sound picturesquely."

The Russian-born artist was the main representative of abstract painting. Kandinsky gave up his profession as a lawyer to devote himself exclusively to art. In 1896 he moved to Munich and met his fellow painters and later friends Franz Marc, August Macke and Paul Klee. His first journeys led from Munich to Tunis and Paris. In 1903, Kandinsky met his long-time partner Gabriele Münter, they separated in 1916.

In 1911 (1912) Kandinsky co-founded the artist group "Der Blaue Reiter", named after a painting by him. The group also included Franz Marc, August Macke, Paul Klee and Heinrich Campendonk. The actual goals of the artist group remained diffuse due to differences of opinion and high member turnover. Nevertheless, "The Blue Rider" is considered the "nucleus" of Expressionism because of its development from symbolism to the abstract. At the outbreak of the First World War, Kandinsky returned to Moscow, where he received high academic recognition. In 1918 he became a professor of the State Art Workshops, two years later a professor of the University of Moscow. After his return to Germany in 1922, he also received a professorship as director of the Bauhaus Weimar-Dessau. Together with Lyonel Feininger, Paul Klee and Alexej Jawlensky, Kandinsky formed a new art group called "The Blue Four". For the first time, their art was also "exported" to the USA and cleverly marketed there.

Even before his return to Germany, Kandinsky had changed his painting style to the abstract. At the Bauhaus, he consistently pursued this style: circles, lines and colour plates. Point and line to the surface. In addition to his fairy tales and dream images, these geometric elements influenced the Russian Constructivists. "To paint like music" was another of Kandinsky's goals, "to implement the inner sound in a painterly way" and thus to express it. At the turn of the century, architects, directors, stage designers, composers and painters first came up with the idea of a "total work of art", Kandinsky was enthusiastic about it and dealt intensively with this new art movement.
In 1933 Kandinsy had to emigrate to Paris because of the threat of the National Socialists. Here he quickly found a connection to the local art scene and new friends: Juan Miro, Marc Chagall, Fernand Leger, Piet Mondrian and Hans Arp. Due to his old age, Kandinsky no longer changed his place of residence. He remained in Paris and influenced the early Parisian Surrealists with his late work, characterized by clear yet amorphous forms and his strict compositions.

Text © Jürgen Banse, 2015

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Wassily Kandinsky: Rosa
Rosa
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Wassily Kandinsky: The Yellow Painting (La Toile Jaune)
The Yellow Painting (La Toile Jaune)
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Wassily Kandinsky: Pushed
Pushed
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Wassily Kandinsky: Strings of Characters
Strings of Characters
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Wassily Kandinsky: Diagonal
Diagonal
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Wassily Kandinsky: Dialogue
Dialogue
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Wassily Kandinsky: Sketch (Rider), 1909. (Saint Martin of Tours and the Beggar)
Sketch (Rider), 1909. (Saint Martin of Tours and the Beggar)
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Wassily Kandinsky: Sketch for: Moving Rest
Sketch for: Moving Rest
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Wassily Kandinsky: Fidel
Fidel
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Wassily Kandinsky: Impression III (concert)
Impression III (concert)
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Wassily Kandinsky: 13 Rectangles
13 Rectangles
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Wassily Kandinsky: Mood Line
Mood Line
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Wassily Kandinsky: Vibrant
Vibrant
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Wassily Kandinsky: Moody
Moody
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Wassily Kandinsky: Bright Picture
Bright Picture
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Wassily Kandinsky: Strings of Characters
Strings of Characters
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Wassily Kandinsky: Untitled
Untitled
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Wassily Kandinsky: Intertwined
Intertwined
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Wassily Kandinsky: Ultimate Pink
Ultimate Pink
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Wassily Kandinsky: Aquarelll Nr
Aquarelll Nr
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Wassily Kandinsky: Delicate Tensions
Delicate Tensions
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Wassily Kandinsky: Delicate Accents
Delicate Accents
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Wassily Kandinsky: Impression III
Impression III
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Wassily Kandinsky: Yellow Pink
Yellow Pink
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Wassily Kandinsky: Study on Autumn I
Study on Autumn I
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Wassily Kandinsky: Red Squared
Red Squared
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Wassily Kandinsky: Quiet Harmony
Quiet Harmony
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Wassily Kandinsky: Analytical Drawing Based on Photos of the Dancing Palucca, Straight Lines Striving Upwards Supported by Simple Curves
Analytical Drawing Based on Photos of the Dancing Palucca, Straight Lines Striving Upwards Supported by Simple Curves
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Wassily Kandinsky: Draft to Image with White Shape
Draft to Image with White Shape
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Wassily Kandinsky: Akt
Akt
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Wassily Kandinsky: Study for Houses on the Hill
Study for Houses on the Hill
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Wassily Kandinsky: Analytical Drawing Based on Photos of the Dancing Palucca, Parallel Structure from a Point Below
Analytical Drawing Based on Photos of the Dancing Palucca, Parallel Structure from a Point Below
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Wassily Kandinsky: Draft for the Almanac the Blue Rider
Draft for the Almanac the Blue Rider
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Wassily Kandinsky: Houses In Munich
Houses In Munich
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Wassily Kandinsky: Scene with an Officer
Scene with an Officer
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Wassily Kandinsky: Green and Red
Green and Red
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Wassily Kandinsky: Draft for the Cover of the Almanac 'Der Blaue Reiter'
Draft for the Cover of the Almanac 'Der Blaue Reiter'
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Wassily Kandinsky: Aquarell No
Aquarell No
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Wassily Kandinsky: Composition D
Composition D
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Wassily Kandinsky: Binz on Rügen
Binz on Rügen
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Wassily Kandinsky: Yellow Accompaniment
Yellow Accompaniment
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Wassily Kandinsky: Decreased Weight
Decreased Weight
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Wassily Kandinsky: Imatra
Imatra
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Wassily Kandinsky: Walled City In Autumn Landscape
Walled City In Autumn Landscape
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Wassily Kandinsky: Pictures at an Exhibition, Figurines for Picture XVI
Pictures at an Exhibition, Figurines for Picture XVI
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